Wednesday, February 22, 2012

Xenophon and the Balance Factor


It would be too strange an omission to say nothing about that which, before Alexander's tremendous march, is the most familiar of all Greek adventures among the Barbarians; I mean that suffered and described by Xenophon the Athenian. Again we witness the triumph of a personality, although that is not the important thing about the Retreat of the Ten Thousand. The important thing is the triumph of the Greek character in a body of rascal mercenaries. The personality of the young gentleman who gained so much authority with them found its opportunity in a crisis among ignorant men, but it never became a great one. To the last it was curiously immature. Perhaps it would be an apter metaphor to say of Xenophon what some one said of Pitt---"He did not grow he was cast." His natural tastes were very much those of a more generous and incomparably greater man, Sir Walter Scott. They were the tastes of a country gentleman with a love of literature and history, especially with a flavour of romance. The Cyropaedia is the false dawn of the Historic Novel. Both Xenophon and Sir Walter wanted, probably more than anything else, to be soldiers. But Xenophon wanted to be too many things. Before his mind floated constantly the image of the "Archical Man"---the ideal Ruler---who had long exercised the thoughts of Greek philosophers of none perhaps more than Socrates, whose pupil Xenophon professed himself to be. One day it seems to have struck him: Might not he, Xenophon, be the Archical Man? He may not have framed the thought so precisely, for it is of the kind that even youth does not always admit to itself; but the thought was there. It was his illusion. He was not born to command, he was born to write. He did not dominate, he was always more or less under the influence of some one else---Socrates, Cyrus, Agesilaos. He was an incredibly poor judge of men and the movement of affairs. But put a pen in his hands and you have, if not one of the great masters, yet a master in a certain vivid manner of his own.


1. Alexander, James; Thompson, Kerr. Greeks & barbarians. George Allen & Unwin Ltd.: London. 1921.

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